The mixer's remaining inputs consist of a stereo aux return on balanced jacks and a pair of RCA phono inputs labelled '2TR In' which share the same input path as the signal returned from the computer via USB.Īs far as outputs are concerned, for the main stereo mix there is a choice of XLR or balanced TRS jack outs, plus a line-level stereo output on RCA phono sockets. In fact, the jack and phono inputs simply get mixed together, albeit at a reduced level. The manual suggests that all four inputs can't be used together, but this is not quite correct. There are left and right jack sockets, this time unbalanced, and these are joined by a pair of RCA phono connectors. The remaining channels, pairs 9+10 and 11+12, offer slightly different options again. A mono signal can also be fed to both sides by using just the left-channel jack input. This automatically routes the XLR signal to the left channel and the jack signal to the right. A mixture of the two input types can be achieved by plugging a jack into the right-channel input only. However, there is also a stereo pair of balanced jack sockets that take priority over the XLR if used. If just a mic is connected via the XLR, its signal is distributed to both the left and right channels. Stereo channels 5+6 and 7+8 are slightly different in that they offer three different input options. Each of the four mono channels also has its own unbalanced TRS jack insert point, allowing a processor such as a compressor or gate to be inserted into the signal path between the EQ and fader. Most prominent are the six phantom-powered XLR sockets, four of which are routed to the mixer's mono channels, together with four balanced quarter-inch jack sockets. The mixer can be fitted with side brackets for mounting it on top of a rack, in which case having the I/O at the back would be ideal. Inputs & OutputsĪpart from the headphone jack output positioned on the top panel, all of the MW12's inputs and outputs are round the back of the unit (pictured above right). Nevertheless, its feature set includes a few output busses that could easily be routed to fold-back monitors, and the chassis, derived from Yamaha's MG-series live sound mixers, should withstand a few knocks. First and foremost, the Yamaha MW12 is a studio-oriented product - it doesn't, for example, have any of the built-in effects that are often found in mixers of this size intended for live use. Without a computer attached, however, the MW12 functions just like any other hardware mixer of this size. A copy of Steinberg's Cubase LE is bundled with the mixer, demonstrating just how keen Yamaha are to promote this part of its feature set. The MW12 is a 12-channel analogue mixer with a built-in 16-bit/44.1kHz USB interface, allowing a stereo mix to be sent directly to and from a Mac or PC. For installed, recording, or live music settings, the solid construction and flexible design of these consoles lets you shape your sound with confidence, continually delivering peak performance and a level of sound quality and reliability unrivalled in its class.A compact analogue mixer that also acts as a stereo USB audio interface. With an intuitive, easy-to-use interface, the MG Series boasts an extensive lineup of compact mixing consoles with models ranging from six to twenty channels, suitable for a diverse range of users and applications. Now in its third incarnation, the MG Series embodies this pursuit of design excellence, and incorporates some of the same technologies developed for use in high-end professional consoles, including studio-quality preamps, powerful digital processing, and a rugged, reliable construction. For more than a century, Yamaha has been building a legacy of superior craftsmanship and innovation exemplified in all of our products, from an unrivalled catalog of world-class musical instruments to touring-grade professional audio.
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